Shakespeare 400 ; essays by American scholars on the anniversary of the poet's birth.
1964
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Title
Shakespeare 400 ; essays by American scholars on the anniversary of the poet's birth.
Created/published
New York : Holt, Rinehart and Winston, [1964]
Description
vii, 323 p. : ill., facsims. ; 26 cm
Note
Also issued as Shakespeare quarterly v. 15, no. 2, 1964.
Contents
Shakespeare and the myth of perfection, by A. Harbage.
Man successful, by H. Craig.
The Devil can cite Scripture, by E. A. Strathmann.
A book from Shakespeare's library, by J. F. Fleming.
The origins of the Shakespearian playhouse, by R. Hosley.
Marlowe and Shakespeare, by I. Ribner.
The range of Shgakespeare's comedy, by E. Hubler.
Shakespeare's comedies and the critics, by M. Crane.
Shakespeare's confluence of tragedy and comedy, by J. Markels.
'Twere best not know myself, by R. B. Heilman.
"Yet am I inland bred," by M Doran.
Imagination in A midsummer night's dream, by R. W. Dent.
Whetstone and the sources of Measure for measure, by C. T. Prouty.
The temnpest and the Renaissance idea of man, by J. E. Phillips.
Richard II at Covent Garden, by J. G. McManaway.
Shakespeare's revisions in Titus Andronicus, by J. C. Adams.
Romeo and Juliet: the source of its modern stage career, by G. W. Stone, Jr.
Dramatic structure and criticism: plot in Hamlet, by E. Bowers.
Kittredge on Hamlet, by K. Myrick.
Hamlet's mother, by B. Maxwell.
On Ophelia's madness, by C. Camden.
Troilus in shapes of infinite desire, by W. Farnham.
The role of thought in Othello, by P. A. Jorgensen.
Charity in King Lear, by S. Jayne.
The structure of Antony and Cleopatra, by T. B. Stroup.
Cleopatra's scene with Seleucus, by B. Stirling.
The Shakespeare Association of America, by Mrs. D. F. Hyde.
Man successful, by H. Craig.
The Devil can cite Scripture, by E. A. Strathmann.
A book from Shakespeare's library, by J. F. Fleming.
The origins of the Shakespearian playhouse, by R. Hosley.
Marlowe and Shakespeare, by I. Ribner.
The range of Shgakespeare's comedy, by E. Hubler.
Shakespeare's comedies and the critics, by M. Crane.
Shakespeare's confluence of tragedy and comedy, by J. Markels.
'Twere best not know myself, by R. B. Heilman.
"Yet am I inland bred," by M Doran.
Imagination in A midsummer night's dream, by R. W. Dent.
Whetstone and the sources of Measure for measure, by C. T. Prouty.
The temnpest and the Renaissance idea of man, by J. E. Phillips.
Richard II at Covent Garden, by J. G. McManaway.
Shakespeare's revisions in Titus Andronicus, by J. C. Adams.
Romeo and Juliet: the source of its modern stage career, by G. W. Stone, Jr.
Dramatic structure and criticism: plot in Hamlet, by E. Bowers.
Kittredge on Hamlet, by K. Myrick.
Hamlet's mother, by B. Maxwell.
On Ophelia's madness, by C. Camden.
Troilus in shapes of infinite desire, by W. Farnham.
The role of thought in Othello, by P. A. Jorgensen.
Charity in King Lear, by S. Jayne.
The structure of Antony and Cleopatra, by T. B. Stroup.
Cleopatra's scene with Seleucus, by B. Stirling.
The Shakespeare Association of America, by Mrs. D. F. Hyde.
Place of creation/publication
United States -- New York (State) -- New York.
Call number
PR2976 .M35