Carvings, casts and collectors : the art of Renaissance sculpture / edited by Peta Motture, Emma Jones and Dimitrios Zikos.
2013
Available at Open stacks - large
Formats
| Format | |
|---|---|
| BibTeX | |
| MARCXML | |
| TextMARC | |
| MARC | |
| DublinCore | |
| EndNote | |
| NLM | |
| RefWorks | |
| RIS | |
Title
Carvings, casts and collectors : the art of Renaissance sculpture / edited by Peta Motture, Emma Jones and Dimitrios Zikos.
Created/published
London : V&A Pub., 2013.
Description
xiv, 285 p. : chiefly col. ill. ; 29 cm
Summary
This volume brings together new research by some of the world's leading experts, exploring the artistic production and cultural context of Renaissance sculpture from Ghiberti's Gates of Paradise to the small bronzes of Giambologna and his followers.
Bibliography, etc.
Includes bibliographical references and index.
Contents
Machine generated contents note: Collecting and collections
The eye of a connoisseur: Robert H. Smith as a collector of Renaissance bronzes / Cyril Humphris
Looking afresh: reviewing Italian Renaissance sculpture for the V&A's Medieval & Renaissance Galleries / Peta Motture
Framing sculpture
Around the Gates of Paradise: observations on the jambs of Ghiberti's bronze doors / Gary M. Radke
Tabernacle and sacrament in fifteenth-century Tuscany / Alison Wright
Portraiture
Casting Renaissance Florence: the bust of Giovanni de' Medici and indexical portraiture / Jeanette Kohl
Discovered in the stores: two female busts by Simone Bianco in the Kunsthistorisches Museum in Vienna / Claudia Kryza-Gersch
Sculptors and their workshops
The Del Maino altarpiece in the Victoria and Albert Museum in its original context / Davide Gasparotto
The Grandi in the intellectual context of Renaissance Padua: new attributions / Jeremy Warren
Northern Europe
Contents note continued: Hans Vischer and the challenges of the 1530s / Jeffrey Chipps Smith
Johan Gregor van der Schardt in Nuremberg / Frits Scholten
Studying bronzes - different approaches
Wilhelm von Bode and his engagement with two bronze groups of Hercules and Antaeus / Volker Krahn
Italian Renaissance bronzes: alloy analysis, artist and interpretation / Dylan Smith
Florence
`Colore incarnato': Benvenuto Cellini's Ganymede and living stones / Denise Allen
Giovanni Bologna and Antonio Susini: an old problem in the light of new research / Dimitrios Zikos
Venice and the Veneto
Further thoughts on the `Klosterneuburg' Amphora Bearer statuettes / Manfred Leithe-Jasper
Priestly patronage in late Renaissance Venice: Antonio Gatto's cappella maggiore in San Polo / Emma Jones
Campane, Cavedoni, Candelieri and Caramali: Giacomo Calderari (c.1562-1622), bell-maker and bronze-caster of Venice / Victoria Avery.
The eye of a connoisseur: Robert H. Smith as a collector of Renaissance bronzes / Cyril Humphris
Looking afresh: reviewing Italian Renaissance sculpture for the V&A's Medieval & Renaissance Galleries / Peta Motture
Framing sculpture
Around the Gates of Paradise: observations on the jambs of Ghiberti's bronze doors / Gary M. Radke
Tabernacle and sacrament in fifteenth-century Tuscany / Alison Wright
Portraiture
Casting Renaissance Florence: the bust of Giovanni de' Medici and indexical portraiture / Jeanette Kohl
Discovered in the stores: two female busts by Simone Bianco in the Kunsthistorisches Museum in Vienna / Claudia Kryza-Gersch
Sculptors and their workshops
The Del Maino altarpiece in the Victoria and Albert Museum in its original context / Davide Gasparotto
The Grandi in the intellectual context of Renaissance Padua: new attributions / Jeremy Warren
Northern Europe
Contents note continued: Hans Vischer and the challenges of the 1530s / Jeffrey Chipps Smith
Johan Gregor van der Schardt in Nuremberg / Frits Scholten
Studying bronzes - different approaches
Wilhelm von Bode and his engagement with two bronze groups of Hercules and Antaeus / Volker Krahn
Italian Renaissance bronzes: alloy analysis, artist and interpretation / Dylan Smith
Florence
`Colore incarnato': Benvenuto Cellini's Ganymede and living stones / Denise Allen
Giovanni Bologna and Antonio Susini: an old problem in the light of new research / Dimitrios Zikos
Venice and the Veneto
Further thoughts on the `Klosterneuburg' Amphora Bearer statuettes / Manfred Leithe-Jasper
Priestly patronage in late Renaissance Venice: Antonio Gatto's cappella maggiore in San Polo / Emma Jones
Campane, Cavedoni, Candelieri and Caramali: Giacomo Calderari (c.1562-1622), bell-maker and bronze-caster of Venice / Victoria Avery.
Place of creation/publication
Great Britain -- England -- London.
Call number
NB615 .C37 2013