Celebrity, performance, reception : British Georgian theatre as social assemblage / David Worrall.
2013
Available at Open stacks - medium
Formats
| Format | |
|---|---|
| BibTeX | |
| MARCXML | |
| TextMARC | |
| MARC | |
| DublinCore | |
| EndNote | |
| NLM | |
| RefWorks | |
| RIS | |
Title
Celebrity, performance, reception : British Georgian theatre as social assemblage / David Worrall.
Published
Cambridge ; New York : Cambridge University Press, 2013.
Description
pages cm
Associated name
Bibliography, etc.
Includes bibliographical references and index.
Contents
Introduction: theatre, performance and social assemblage theory
Theatrical assemblages and theatrical markets
Georgian performance and the assemblage model
Theatrical celebrity as social assemblage: from Garrick to Kean
Celebrity networks: Kean and Siddons
A working theatrical assemblage: 1790s
Representations of naval conflict
Theatrical assemblage populations: the Turkish ambassador's visits to London playhouses, 1794
Historicizing the theatrical assemblage: Marie Antoinette and the theatrical queens
The regulatory assemblage: the Roman actor and the politics of self-censorship
Conclusion.
Theatrical assemblages and theatrical markets
Georgian performance and the assemblage model
Theatrical celebrity as social assemblage: from Garrick to Kean
Celebrity networks: Kean and Siddons
A working theatrical assemblage: 1790s
Representations of naval conflict
Theatrical assemblage populations: the Turkish ambassador's visits to London playhouses, 1794
Historicizing the theatrical assemblage: Marie Antoinette and the theatrical queens
The regulatory assemblage: the Roman actor and the politics of self-censorship
Conclusion.
Place of creation/publication
Great Britain -- England.
Call number
PN2593 .W67 2013
Folger accession
268030