Beyond the soundtrack [electronic resource] : representing music in cinema / edited by Daniel Goldmark, Lawrence Kramer, Richard Leppert.
2007
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Details
Title
Beyond the soundtrack [electronic resource] : representing music in cinema / edited by Daniel Goldmark, Lawrence Kramer, Richard Leppert.
Created/published
Berkeley : University of California Press, ©2007.
Description
vii, 324 p. : ill., music ; 23 cm
Associated name
Note
This record was provided by a vendor. It may contain incorrect or incomplete information.
Bibliography, etc.
Includes bibliographical references (p. 297-309), filmography (p. 311-316), and index.
Contents
Introduction. Phonoplay : recasting film music
Musical meaning. The boy on the train, or bad symphonies and good movies : the revealing error of the "symphonic score" / Peter Franklin ; Representing Beethoven : romance and sonata form in Simon Cellan Jones's Eroica / Nicholas Cook ; Minima romantica / Susan McClary ; Melodic trains : music in Polanksi's The pianist / Lawrence Kramer ; Mute music : Polanski's The pianist and Campion's The piano / Michel Chion
Musical agency. Opera, aesthetic violence, and the imposition of modernity : Fitzcarraldo / Richard Leppert ; Sight, sound, and the temporality of myth making in Koyaanisqatsi / Mitchell Morris ; How sound floats on land : the suppression and release of folk and indigenous musics in the cinematic terrain / Philip Brophy
Auteur music / Claudia Gorbman
Transport and transportation in audiovisual memory / Berthold Hoeckner
The fantastical gap between diegetic and nondiegetic / Robynn J. Stilwell
Musical identity. Early film themes : Roxy, Adorno, and the problem of cultural capital / Rick Altman ; Before Willie : reconsidering music and the animated cartoon of the 1920s / Daniel Goldmark ; Side by side : Nino Rota, music, and film / Richard Dyer ; White face, black noise : Miles Davis and the soundtrack / Krin Gabbard ; Men at the keyboard : liminal spaces and the heterotopian function of music / Gary C. Thomas.
Musical meaning. The boy on the train, or bad symphonies and good movies : the revealing error of the "symphonic score" / Peter Franklin ; Representing Beethoven : romance and sonata form in Simon Cellan Jones's Eroica / Nicholas Cook ; Minima romantica / Susan McClary ; Melodic trains : music in Polanksi's The pianist / Lawrence Kramer ; Mute music : Polanski's The pianist and Campion's The piano / Michel Chion
Musical agency. Opera, aesthetic violence, and the imposition of modernity : Fitzcarraldo / Richard Leppert ; Sight, sound, and the temporality of myth making in Koyaanisqatsi / Mitchell Morris ; How sound floats on land : the suppression and release of folk and indigenous musics in the cinematic terrain / Philip Brophy
Auteur music / Claudia Gorbman
Transport and transportation in audiovisual memory / Berthold Hoeckner
The fantastical gap between diegetic and nondiegetic / Robynn J. Stilwell
Musical identity. Early film themes : Roxy, Adorno, and the problem of cultural capital / Rick Altman ; Before Willie : reconsidering music and the animated cartoon of the 1920s / Daniel Goldmark ; Side by side : Nino Rota, music, and film / Richard Dyer ; White face, black noise : Miles Davis and the soundtrack / Krin Gabbard ; Men at the keyboard : liminal spaces and the heterotopian function of music / Gary C. Thomas.
Reproduction
Electronic text and image data. Ann Arbor, Mich. : University of Michigan, Michigan Publishing, 2010. Includes both TIFF files and keyword searchable text. ([ACLS Humanities E-Book]) Mode of access: Intranet.
Series
ACLS Humanities E-Book (Series)
American philosophy series ; no. 7.
American philosophy series ; no. 7.
Item Details
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