Shakespeare closely read : a collection of essays : written and performance texts / edited by Frank Occhiogrosso.
2011
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Items
Details
Title
Shakespeare closely read : a collection of essays : written and performance texts / edited by Frank Occhiogrosso.
Created/published
Madison [N.J.] : Fairleigh Dickinson University Press ; Lanham, Md. : Rowman & Littlefield, ©2011.
Description
ix, 158 p. : ill. ; 24 cm
Meeting name author
Associated name
Note
Papers presented at the 2008 International Shakespeare Conference at Stratford-upon-Avon.
Bibliography, etc.
Includes bibliographical references and index.
Contents
Introduction / Frank Occhiogrosso
Close readings of the written text. A special meaning of "within" / Mariko Ichikawa
"Music plays and they dance": a close reading of Romeo and Juliet, 1.5 / Frank Occhiogrosso
"Post-alone": a missing word and the limits of biography / Lachlan Mackinnon
Shakespeare's secret language, with specimens from a commentary / John Russell Brown
Close reading, illustration, and productive ambivalence / Stuart Sillars
A dramatic function of Caliban's "Be not afeared" speech in The tempest / John Mucciolo
"Mention my name in Verona": is Cassio Florentine? / Steve Sohmer
Close reading of performance. Close enough readings, or trying to ascribe the actor's part in analyzing performance texts / Kevin A. Ewart
Reading Morocco: four film versions of The merchant of Venice / Boika Sokolova
Red button Shakespeare / Rob Conkie
Can we/should we close read performance? / Andrew James Hartley.
Close readings of the written text. A special meaning of "within" / Mariko Ichikawa
"Music plays and they dance": a close reading of Romeo and Juliet, 1.5 / Frank Occhiogrosso
"Post-alone": a missing word and the limits of biography / Lachlan Mackinnon
Shakespeare's secret language, with specimens from a commentary / John Russell Brown
Close reading, illustration, and productive ambivalence / Stuart Sillars
A dramatic function of Caliban's "Be not afeared" speech in The tempest / John Mucciolo
"Mention my name in Verona": is Cassio Florentine? / Steve Sohmer
Close reading of performance. Close enough readings, or trying to ascribe the actor's part in analyzing performance texts / Kevin A. Ewart
Reading Morocco: four film versions of The merchant of Venice / Boika Sokolova
Red button Shakespeare / Rob Conkie
Can we/should we close read performance? / Andrew James Hartley.
Item Details
Call number
PR3091 .I58 2008