Veritable portrait du tres fameux Seigneur messire Quinquenpoix [graphic].
1720
Available at Vault - Craven
Formats
| Format | |
|---|---|
| BibTeX | |
| MARCXML | |
| TextMARC | |
| MARC | |
| DublinCore | |
| EndNote | |
| NLM | |
| RefWorks | |
| RIS | |
Title
Veritable portrait du tres fameux Seigneur messire Quinquenpoix [graphic].
Variant title
No. 1: of stront of Koning
Created/published
[Netherlands or France?] : [s.n.], [1720]
Description
1 print : etching and engraving ; image plate mark 155 x 104 mm, text plate mark 225 x 321 mm
Material base
paper
Summary
Satire on John Law's economic system and the resulting French, British, and Dutch financial crises when the Mississippi Bubble and the South Sea Bubble burst in 1720. Law is referred to as "Quinquenpoix", alluding to the Compagnie des Indes' location in rue Quinquampoix, Paris."
Inner plate: A portrait of John Law being crowned by Folly rests above a cauldron fueled by banknotes and stock certificates. The crown bears peacock feathers (pride), thistle leaves (Law was Scottish), fool's bells, and the date MDCCXX [1720]. Other symbolic figures include Envy eating a snake, Diogenes with his lantern, Vanity holding a picture of the Fall of Icarus in place of of her traditional mirror, a satyr holding a scorpion, and Despair with instruments of destruction (dagger and torch).
Outer plate: Text describes the scene on the inner plate as if discovered by a "modern Diogenes" seeking (and failing to find) someone governed by reason in Paris. Text includes casual anti-Semitism (paper money and stock certificates are "more false than the Talmud").
Inner plate: A portrait of John Law being crowned by Folly rests above a cauldron fueled by banknotes and stock certificates. The crown bears peacock feathers (pride), thistle leaves (Law was Scottish), fool's bells, and the date MDCCXX [1720]. Other symbolic figures include Envy eating a snake, Diogenes with his lantern, Vanity holding a picture of the Fall of Icarus in place of of her traditional mirror, a satyr holding a scorpion, and Despair with instruments of destruction (dagger and torch).
Outer plate: Text describes the scene on the inner plate as if discovered by a "modern Diogenes" seeking (and failing to find) someone governed by reason in Paris. Text includes casual anti-Semitism (paper money and stock certificates are "more false than the Talmud").
Note
Engraved broadside made from an inner plate for the image (with Dutch captions; a later state has French captions; others are intermediate) and an outer plate for the surrounding text (in French; another version has Dutch text).
Cited/described in
British Museum. Dept. of Prints and Drawings. Catalogue of prints and drawings in the British Museum (1870-1954) (George) 1612
Muller, F. De Nederlandsche Geschiedenis in Platen, 3572c
Muller, F. De Nederlandsche Geschiedenis in Platen, 3572c
Genre/form
Place of creation/publication
Netherlands.
Call number
ART 247- 787 (size M)
Folger accession
247787