Hei! Degeror. O! I am undone [graphic].
1724
Available at Vault - Craven
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Title
Hei! Degeror. O! I am undone [graphic].
Created/published
[London] : [s.n.], [ca. 1724]
Description
1 print : etching and engraving ; plate mark 181 x 250 mm, on sheet 192 x 257 mm
Material base
paper
Summary
"Satire on John Heidegger and the taste for the masquerades which he promoted. A London street scene in the foreground of which Heidegger sprawls on the ground, his watch and coins falling from his pocket, as he begs mercy of Hercules. Hercules, clad in a lion skin, raises his club threateningly; with his right hand he holds a chain encircling a large group of masqueraders, some of whom have their hands tied behind their backs, their props or accessories are scattered on the ground; other masqueraders climb out of the windows of the building behind. On the left, Piety, Wisdom and Britannia emerge from a church followed by clergymen; beggars ask for alms, one holds a dog on a lead who rushes towards Heidegger. Mercury flies overhead holding a scroll lettered, 'The Masquerade destroyt.'" --British Museum collection database, accessed 25 Aug. 2011.
Note
Title from lettering in lower margin.
The Bishop of London preached against masquerades on 6 January 1724.
"Price i shilling" in lower left corner of plate.
"According to John Nicholls (Biographical Anecdotes of William Hogarth, 1785, p.134) this print inspired Hogarth's 'Masquerades and Operas' (BM Satires [i.e. George] 1742), but the reverse may be the case." --British Museum collection database, accessed 25 Aug. 2011.
The Bishop of London preached against masquerades on 6 January 1724.
"Price i shilling" in lower left corner of plate.
"According to John Nicholls (Biographical Anecdotes of William Hogarth, 1785, p.134) this print inspired Hogarth's 'Masquerades and Operas' (BM Satires [i.e. George] 1742), but the reverse may be the case." --British Museum collection database, accessed 25 Aug. 2011.
Cited/described in
British Museum. Dept. of Prints and Drawings. Catalogue of prints and drawings in the British Museum (1870-1954) (George) 1747
Place of creation/publication
Great Britain -- England -- London.
Call number
ART 246- 869 (size S)
Folger-specific note
For Hogarth's 'Masquerades and Operas,' see Folger ART Box H715 no.1 (size S) and ART Box H715 no.2 (size S)
Folger accession
246869